Inspired by in the very chilly Scandinavian country of Norway, the
Marvel Comics-based Thor – with its roots in the legends of
the Norse Gods and their fabled home of Asgard – puts a grand and
glorious… verging on the absurd… spin on the pulp-ish superhero.
Okay, putting a Nordic spin on director Kenneth Branagh's Thor,
the latest cinematic rendering of a Marvel Comic character, might be
pushing it – but this flick hits most of the grandiose marks and
certainly won't dissuade the interest in anything mythic or even
As quality genre flicks go, this huge, effects-laden epic looks like
it's worth the $150 million dollars that it cost.
The film starts in 899 AD Norway, when the Gods, led by Odin
(Anthony Hopkins), defeat the Frost Giants who have plaguing Midgard
(Earth). The victory is won at a cost – Odin's eye – and the enemy
is pushed back to their home world of Jotunheim.
When several giants try to regain the Casket of Ancient Winters, the
source of their power which had been seized by Odin, his hot-headed,
arrogant elder son Thor (Chris Hemsworth) leads a band of fellow
warriors to attack them, thus defying his father's will and
abrogating the fragile peace.
As a result, he's banished to Earth without his powers. Thor must
now prove himself worthy in order to regain his hammer Mjolnir, his
power, and then battle his evil brother Loki (Tom Hiddleston), who
has betrayed Odin and the other Gods.
Without going into the endless plot permutations, the
Shakespearean-trained Branagh turns out to be an inspired choice to
helm this tale, told with over-the-top theatrical excess and
incredible effects. It also adds to the set up for the upcoming epic
The recent Los Angeles press conference for the film – which
included Hemsworth, Hopkins, Hiddleston, Kat Dennings (sidekick to
scientist and love interest Natalie Portman), Idris Elba (who plays
Asgard's stolid guard Heimdall) and Jaimie Alexander (who plays, Sif,
one of Thor’s warrior allies) sat down to talk about Thor and turned
out a few grand and glorious comments as documented below.
Tom, is it true that you thought that Loki was the hero of the
movie and that you wanted to be Thor?
Tom Hiddleston: I think there are no villains in this world;
there are just misunderstood heroes. Loki thinks he is the hero.
There’s an aspect of Loki that is, essentially, that if you boil
this film down to its barest elements, it’s about a father and two
sons. Both of those sons are two brothers competing for the love and
affection and pride of their father, Odin, played by Tony [Hopkins].
There’s just a deeply misguided intention within Loki. He has a kind
of a damage within him. And he just goes about getting that pride in
the wrong way.
I didn’t actually want to be Thor, but my hair is in all sorts of
trouble at the moment. I was born with very blonde, curly hair, not
unlike Gene Wilder in Willy Wonka and the Chocolate Factory.
I’m 6’2”. So like every other English-speaking actor over 6 foot
who’s got blonde hair, I went up for the part of Thor. But I’m not
built like a house, like [Chris]. And there’s no way in Odin’s
Asgard I could have delivered what Chris has done. It was always
meant to be this way, I think. We’re much happier as things are.
Chris, what kind of hero do you think we need today? And what’s
your favorite movie hero?
Chris Hemsworth: Growing up, parents were my heroes… in the
way they conducted their lives. My dad works in child protection,
and he’s spent many years in that line of work. As kids, our
experiences shape our opinions on ourselves, and the world around
us, and that’s who we become as adults, because of that experience.
So yeah, he’s certainly been my hero.
In movies, the idea is of a heightened reality and the fantasy is
that we’re able to be swept up in these larger-than-life heroes. And
the possibility of someone much more powerful and greater than we
are can come and save the day, which, so to speak, is
inspiring. It’s the people who put themselves on the line and
sacrifice their own safety for the greater good and for others. I
think anyone in any sort of profession [in which] their concern is
the welfare of other people instead of individual: that is inspiring
Growing up, I had a lot of different [heroes from] films. Superman
was probably the very first one I was aware of, and I would run
around the house pretending to be him, at some stage when I was a
kid. I also had a Robin costume, Batman’s sidekick, which a nice
pair of green underwear and a yellow shirt and red cape. I was about
six or seven. I love Han Solo too.
Could you talk about the most miserable things you did to
actually get that kind of physique?
Chris Hemsworth: The most uncomfortable thing was the eating.
I didn’t mind so much the working out. I’d never really lifted
weights to that capacity beforehand, and it was certainly a whole
new sort of education, for a good six months. I just don’t naturally
sit at that weight, so I had to force feed myself with 20 chicken
breasts and rice and steak and all very boring to the plain things.
That was the most exhausting part, I think, out of the whole film;
[it] was the eating. It wasn’t the fun stuff, either. It wasn’t
hamburgers and pizza and what have you.
For Sir Anthony Hopkins, what drew you to be a part of this
comic-book movie? Was it a chance to work with Thor director
Kenneth Branagh, or was it the material itself?
Anthony Hopkins: It’s Ken Branagh, basically. If they gave me
enough money to read the phone book, I’d do it. See, I live in a
total state of non-expectation. I don’t expect things. I keep my
expectations very low about everything, especially the last few
years. I had come back from a movie with Woody Allen [You Will
Meet a Tall Dark Stranger], which was a big surprise. I enjoyed
that. Then I had an agent and I left them, because I wasn’t very
happy. I got a new agent, and within two days they said, “Would you
like to meet Ken Branagh?” and I said, “Yeah. What about?” He said,
“Odin.” I said, “Oh, that’s a god, isn’t it?” He says, “Yeah.”
The funny thing was, I hadn’t seen Ken for some years, and wasn’t
sure how he would respond to me, because I was one of the bad boys
who ran away from England many years ago, and I came out to Cuckoo
Land out here. I never fit into British theater and all that. So I
wasn’t sure how he’d receive me. But we met at the breakfast down in
Santa Monica. He was very pleasant and friendly, and we had a chat
about old times and all that. He said, “Would you like to play
Odin?” I said, “Yeah, okay.” He gave me the script and I read it. I
thought, “Yeah, I’d love to work with him,” because I’ve always been
a fan of Ken’s, actually.
I’m not a geek, but I read Captain Marvel as a kid, and
that’s all. It turned out that [Thor] was the most enjoyable
film I’ve been involved in for a long time, principally because of
the cast here, and Chris and Tom and everyone. And Ken. I’d gone
through a patch where I was getting very indifferent to everything,
and I could care less about anything. Then to work with Ken, he just
pushed the right buttons to get me to give of my best. I really
value that in him, because I’d gotten lazy. He’s one of the best
directors I’ve worked with, and so that was the principle reason.
And hey, I wanted the work. Gotta pay the rent, you know? I thought
this was a nice part. Didn’t have to do too much. The only thing
was, I wish I’d gone down to New Mexico, because I had such a good
time in the studios. My time was so brief. I think I was only on it
about three weeks, on those great sets and everything. And then, no
acting required. I wrote in my script, NAR — no acting required, let
the armor act for me on the sets. So I let the armor do it for it,
and the beard, and that was about it. And showed up and put on my
voice and that was about it, but I really enjoyed it.
Chris, the physical demands of the role aside, how did you as an
actor approach the mighty role of Thor? Did you look into the
600-plus issues of the comics, or did you pay more attention to the
actual Norse mythology, or did you find a way to combine both? What
was important to you when taking on this role?
Chris Hemsworth: I started with the comic books, but I didn’t
read all, however many of them there are. There are thousands of
them, 40 or 50 years’ worth. But I certainly read enough to get a
sense of who he was and the world he was from. I read some things on
Norse mythology and this sort of fatalistic view they have that
everything’s pre-ordained, and that leads the Vikings into this
fearless sort of attitude in battle and with their lives. They
certainly back their opinions, I think.
And they’re not swayed easily. That spoke volumes to me about the
character. You fill your head with whatever information and research
you have, but on set, it was just about making it truthful and
finding a way. A simpler way that I could relate to it, instead of
thinking, “How do I play a powerful god?” It became about, as Tom
said, scenes between fathers and sons and brothers. You personalize
that and that helps ground the story for an audience. Then we can
relate to it and hopefully an audience can, too.
Kat, your character had the largest comedic role throughout the
film. Did you enjoy it in such a serious superhero film?
Kat Dennings: I saw the film a week ago, and hadn’t seen any
of the Asgard stuff. I know when you got to our parts in Santa Fe,
you felt like you were on a different film. It’s a totally different
thing. So it didn’t feel like, “Oh, I feel like I don’t belong
anywhere.” It kind of felt like he didn’t belong, which is why it’s
hilarious. Natalie and I have been friends for years anyway. So it
was actually pretty easy. We just hung out and goofed off and were
girls. And poor Stellan [Skarsgård] had to listen to us talk about
boys and nail polish. So it was pretty easy. For the actors who
played as Guardians, it was more challenging or more fun to wrap
your mouth and your mind around the film’s mock heroic middle
As a follow-up for Idris, how much of a pleasure was it to not
have to do a fake American accent?
Idris Elba: One of the challenges for the script and the
story and now the audience is that you have these two huge worlds,
but they’re equally as well-thought-out, well-written. Kenneth, he
wanted us to all have a sort of uniform sound, if you like. You know
what I mean? Even though, you do say mock English, but it was set
in that world, but exactly not English, which is what I was
told. And yeah, fake American accents? Wah, wah, wah. Try some
Asgard, you know what I mean?
Jaimie Alexander: I had a good time. I don’t know. It was fun
learning the accent and training for the film and goofing off with
these buttheads to my right. Yeah, we all trained together, prior to
shooting. It made for a good time.
Sir Tony had mentioned kind of facetiously that the costume
really does the work for you. How does the wardrobe inform your
character, in terms of creating and becoming that person?
Tom Hiddleston: The costumes are incredibly heavy. If you got
up in the morning and wear a pair of shorts, T-shirt and some
flip-flops, it’s a signal that you might be going to the beach. If
you get up in the morning and wear a breast plate, back plate, cape,
and a pair of golden satanic horns on your head, it’s quite clear
that you’re doing something else. We were so helped by, not just the
costumes, but the beautiful sets built by Bo Welch, the production
designer. You’ve got no furniture to lean on, really, and no props
to busy your performance. There has to be a kind of simplicity, too.
The costumes make you stand straighter. It’s like being in a
neo-classical museum, and if you go up to the Getty, you have a
sense of the size of the place, and that just does stuff to the way
Idris Elba: With Kenneth, one of his biggest notes for me was
just let the costume do it, because I had this huge helmet on my
head and could hardly see. Kenneth would just say, “Don’t worry.
Just live in it, and stay as still as you can; let the costume and
the opulence … do the work.” And the script, of course.
So Tony, did you get to pick your eye patch?
Anthony Hopkins: I can’t remember. They put it on the wrong
eye, first of all. And I said, “I think you made this for the wrong
eye.” They said, “Yeah, we did.” But they had another [one] put in
that eye. The only problem with that was moments of anxiety because
I had no three-dimensional vision. I felt like an old … Well, I’m
not that young anymore, but to be guided onto the set, I felt very
embarrassed. “This way.” Because I couldn’t see. It was the thing
would come off very quickly. But it was a costume and helped and all
You don’t have to do too much, except speak up, I guess. But you
don’t have to act. It’s like John Wayne said, “When you’re in the
desert, he doesn’t have to act. You let the desert do it for you.”
Those movie actors of that time, they knew what they were doing.
They just got on their horses and did it and were wonderful. So I
take a page out of their copy book and try not to do too much.
But Ken challenges you all the time, in a very nice, gentlemanly,
charming way. I like the way he says, “My learned, esteemed
colleague, I would like you to stand here.” It seemed like at the
end, he said, “Ah, my esteemed colleague, Mr. Hopkins,” and he’s
very cunning. He said, “I’d like you to stand here. And then Chris
will come up behind you.” He said, “Do you have any suggestions?” I
said, “Yeah, but I’m not going to tell them to you because you want
me to stand here, don’t you?” He said, “Yes.” “So you just tell me
where to stand and I’ll do it.”
With something like that, he knows so much. That’s the most
comforting thing. You don’t have to work. You just do what he tells
you. I know that sounds pretty wimpy to do that, but why not? He
knows what he wants. A good director knows what he wants, and what
it’s going to look like.
Sir Tony, much has been made of Kenneth Branagh’s comments about
how Shakespearean he saw the mythology and story of Thor. Is
that putting too much weight onto what’s essentially a comic-book
Anthony Hopkins: No, I don’t think so. I don’t trouble my
little brain with that stuff, because I don’t think about too much
anything anyway when I go on a film set because you can analyze and
analyze. I leave that to the boss, the director. They decide what
it’s going to be like, and you just follow. I’m not trying to demean
my role in it, but you follow certain guidelines, and if you’re
working with a director like [Steven] Spielberg, Clint Eastwood or
Ken Branagh or [Martin] Scorsese, you follow the guidelines of what
their style is. And he mentioned Shakespeare quite a lot.
In the readings beforehand — we had about a week’s readings down in
Manhattan Beach – we talked, not extensively, but a bit about the
good old Westerns. Shane was one of my favorite all-time
Westerns, when the bad guys come in and they have a conference and
they try to negotiate. Jack Palance looks sinister and all that. To
have that sort of feeling of big with the autocratic father and the
troublesome sons. There’s a wonderful film called Lawman
which Ken and I talked about, with Burt Lancaster — a great movie
about rival factions. There’s the father, played by Lee J. Cobb, and
all these bad sons he’s got. And there’s always one son who’s a
little in the middle, not quite sure where he belongs.
So we have those points of reference. On the horse when I [as Odin]
meet my enemy and I say, “Let’s talk about this. We don’t need any
bloodshed.” That was taken from an idea of a Western negotiation. I
love those points of reference because I was a fan of all those
early Western movies, Gary Cooper and all those guys. But
When you were first asked about working with Branagh, you said,
“I was lazy, and Ken pushed my buttons.” What buttons did he push,
and did he know you were lazy?
Anthony Hopkins: Maybe I’m overstating it, but we’d come from
the background that I’m 20 years older than Ken, and didn’t know him
that well. But we had all the same reference points of the theater.
We knew about the actors we’d been working with over the years. And
we were both pretty rebellious – I know he was. I was rebellious in
the fact that I was a bad boy. I escaped from England and the group
theater and came over to America to Disneyland. I know I sold out.
It’s nice. I’m glad I’ve sold out. So I wasn’t sure how he’d respond
But he’s just as bad as I am. He’s a rebel, and he’s challenged
himself over the years. He did some extraordinary things 30 years
ago when he was taking on people like Lawrence Olivier, doing
Hamlet and Henry V, Much Ado About Nothing — a colossal
background. His education is pretty profound.
I read a lot but I hate taxing my mind with analysis. I’m not a good
analyst. I cannot talk about acting. I hate talking about it. And I
hate talking about analyzing. They always say, “Let’s talk about
the…” Why? I’ve sat in conferences where you just fall asleep
because it’s so boring. I don’t know, you just get up and do it. Get
up and do the damned thing, instead of talking about it. And Ken is
like that. He just says, “Do it.” I like that. I get too much the
other way, of being Mr. Cool, not analyzing at all. Just walk
blindly on the set. What Ken does is just say, “Come on, you can do
more than that,” because I’d like to just be a little
restrained. And he said, “No, let’s push it even more.” And it was a
welcome invitation. That’s basically my story.
Are we going continue to see Loki as that kind of a character in
The Avengers movie, or is it gonna be a little more
Tom Hiddleston: I took the character that I saw in the
comics. Loki is a master of magic. He is, in the Marvel universe,
the agent of chaos. Hs superpower is his intelligence, if you like.
He’s a shape-shifter. It’s his ability to stay ten steps ahead of
everybody else. So absolutely, Ken, Chris, Tony and I all talked
about having those layers in a way that he’s someone with a fierce
intelligence, but also a very damaged heart. I think a red dot will
form on my forehead if I give any more information about Loki and
The Avengers. All I can tell you is that Loki will be in The
Avengers. It’ll take more than the man to my right [Hemsworth]
to stop me this time.
Chris and Tom – regarding The Avengers – you guys play
very larger-than-life roles in this film. You’re going into a movie
with four or five other larger-than-life characters. What’s the
biggest challenge that you see in combining all these archetype
heroes and villains into this one film?
Tom Hiddleston: The sort of the thing that looks like a
challenge is actually the reason it’ll work, as in, “How can one
movie contain so many different flavors, colors and characters?” I
think [The Avengers writer/director] Joss Whedon has probably
made that his strength. And the conflict between each of them will
be something that will be expanded on, I think. [says to
Hemsworth] Wouldn't you say that?
Chris Hemsworth: Yeah, sure. We don’t balance all the other
characters, I guess. That’s just the writer and Joss, who’s the
writer/director, his job is to navigate that. And like Tony was
saying, we come in and do our bit. That’s all you can really concern
yourself with. It’ll be an interesting combination. As Tom said, why
it will work is that conflict in those larger-than-life characters
and egos clashing. There’ll be some great tension there.
Since we now know that Tom secretly wants to be Thor, is there
another character in the Marvel canon that anybody would like to
Jaimie Alexander: Oh, I have one: X-23. Yeah.
Chris Hemsworth: Loki. Keep the horn in the family.
Tom Hiddleston: The horns are all yours, man.
Idris Elba: I’d like a stab at Luke Cage at some point.
Anthony Hopkins: My one regret was that I didn’t go to New
Mexico. I was going to suggest to Ken that I could play Odin’s twin
brother, who actually goes down and is a sort of Fifth Columnist
movement. So I wanted to be in New Mexico. No, I’m very happy having
done Odin. I don’t know if I come back to another one. I don’t know
if there’s a talk of that. But I’d love to another one [Thor movie].
It was so unexpected to be in a movie like this. I like the
unexpected. Living in a state of total non-expectation, it’s just a
surprise what happens to you. All kinds of things come your way.
When you have expectations, that’s when it’s disappointing.
So to be in this was just a bonus, the gravy train, for me, because
I’ve been around a long, long time now. So whatever comes along, I’m
very happy to do it, if it’s a good script, a good director and good
actors. I’m just very fortunate to mosey along and do what I do. But
I mustn’t get too lazy. I need another Ken Branagh, because it’s
very hard to find a director of that kind of power and gentleness.
He’s a gentleman and that’s it.
Kat Dennings: It’d be cool to see Darcy become something
else, or to go up to Asgard, that’d be pretty amazing… I didn’t have
expectations. I got this role, and then got to read the script. I
didn’t read the script before I got this [role]. I didn’t now who
Darcy was. Darcy’s not in the comics, so she became bigger through
the rehearsals. I’m just thrilled that she’s still in it. I can’t
believe I didn’t get cut.
Chris and Tom, could you talk a little bit about the dynamic
between you as actors vying for the attention of Sir Anthony Hopkins
– as well as the brotherly dynamic that went from brotherhood to
Chris Hemsworth: I nearly caught Tom talking about having
breakfast with Tony at one point. I said, “What? He’s having
breakfast and I’m not?” [He laughs.] Tony, actually you said
it, that it’s much easier to hate someone on screen if you actually
like them off screen. It’s just a more enjoyable ride and this is
nothing sort of personal about it. We got along and came into this
at the same point in our careers, with the same enthusiasm, love for
these types of films and just had a great time doing it. You either
have chemistry with someone or you don’t. Thankfully, I think it was
there. So to play brothers was easy and fun.
Tom Hiddleston: It’s quite literally a bromance. Right. The
“bro” aspect of the word is for real. But Chris is absolutely right.
I can’t imagine having to go to the emotional extremity that we both
have to go if we actually didn’t like each other. It’d be just
horrendous to go to work. The fact is that we get along; we just egg
each other on. And between takes, maybe we’d raise each other’s game
or something. And we just had a really, really good time. And also,
there are so many things that went wrong, that were just accidents
that make you laugh. It’s such a huge journey. We both spent two
years of our lives working on this film, and it’s so nice that
there’s somebody else who’s alongside. Like Chris had a few drinks
at the wrap party, and was hanging out the window on the way back to
the hotel, saying …
Chris Hemsworth: That’s not true. You’re ruining my career
Tom Hiddleston: Sorry. And he said to me before we went up to
our rooms, he was like, “You’re the only one who understands me.”
Chris Hemsworth: I have no idea what I was talking about.
[He laughs.] Yeah. But in terms of vying for the attention of
Tony, Tony was amazing.
Tom Hiddleston: I haven’t actually said this on record, but
on our days working with Tony, he would just regale us with stories
of when he was a young actor and starting out in The Lion in
Winter with Peter O’Toole and Katharine Hepburn. I’ll never
forget that story you told about Katharine Hepburn saying, “Stop
acting, Tony. You’ve got a good face. You’ve got a good voice.
You’ve got a good body. Stop acting!”
Anthony Hopkins: She said, “May I talk to your mom?” And I
said, “Yeah.” She says, “Don’t act; you don’t need to act. Watch
Spencer Tracy.” I said, “Oh, okay.” It was good advice.
Tom Hiddleston: Then we did the scene in the vault where Loki
finds the big, dark secret of his personal history. And I think
after the first couple of takes, Tony leaned across and said, “Have
you got a good agent?” And I said, “Yes, I think so.” He said,
“You’re going to need it.”
Anthony Hopkins: Obviously, I love to have a laugh. I like to
tease people. Ken is part of that, as well. I said, “Is he gonna
play it like that?” He said, “Yeah.” He says that to all the young
actors: “Is that the way you’re gonna play it? It’s your career.”
Chris Hemsworth: I remember that, being on set with Tom, our
first day with Tony, going through the rehearsal and Tony giving us
that reaction. “Is that how you’re gonna do it?” And going, “He’s
Anthony Hopkins: It would be terrible if you had met somebody
who didn’t have a sense of humor.
Tom Hiddleston: There was something he said when we were
walking down towards the casket and he said, “Can I tell you
something, Tom?” And I went, “Absolutely.” I sat up straight. “Tell
me, tell me anything.” And he said, “You’re doing this very strange
thing with your wrists.” “Oh, my god, what am I doing?” And he said,
“It looks a little bit camp.” Maybe you can butch it up a bit.”
Chris Hemsworth: And he said, “Isn’t he, Chris, don’t you
Anthony Hopkins: I remember this story briefly. My first film
was The Lion in Winter and we had a couple of sound
engineers. I was a new actor and there were there of us; we were
three new actors on the block. This guy called Tom Buchanan, who was
the sound engineer, walked behind me with his sound mixer. He said,
“I hate actors.” But he did it to tease us. He’d be sitting there
with the headphones on, and I’d be doing a scene. And he’d go,
“What?” That humor gets you, sort of up, because you have to have
humor. If you don’t have humor and you take yourself seriously,
you’re dead in the water. You’ve got to have a laugh. Because it’s
better than working for a living, isn’t it?
Chris Hemsworth: Absolutely. That’s the thing
I learned from Tony: Have a good time doing it, the appreciation for
it and having fun. What should have been the most intimidating
experience walking in was the most enjoyable.
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