
 
								
	
    
	PopEntertainment.com 
	> Feature 
	Interviews - Actors 
	> Feature Interviews P to T > Michael Rapaport
	
    
     MICHAEL 
    RAPAPORT
MICHAEL 
    RAPAPORT
    
    THE WAR ON TELEVISION
    
    by JAY S. JACOBS
    
    Copyright ©2005 
    PopEntertainment.com.   All rights reserved.  
	Posted: 
    September 10, 2005.
	Michael 
    Rapaport is one of the best color guys in show business.  It's rare 
    that he gets the lead role, but when a director needs a legitimate, colorful, 
    smart working-class guy for the second or third role, they dial up Rapaport.  He has been the 
    punch-drunk boxer who dates Mira Sorvino in Woody Allen's Mighty 
    Aphrodite, controversial teacher Danny Hanson on Boston Public, 
    Will Smith's best friend in Hitch, a screwed up college recruit in 
    Higher Learning, Schwarzenneger's sidekick in The 6th Day, 
    a green rookie in Cop Land, and dozens of other roles.  
    
    Now 
    Rapaport is trading in  his supporting status and stepping front and center 
    on the new Fox sitcom The War at Home.  Rapaport plays Dave, a 
    father in his late thirties who must try to deal with the new realities of 
    family life in an amped-up modern world.  Handed the plum Sunday timeslot 
    between The Simpsons and Family Guy, the show is fast-tracked 
    by the net to be a new smash.  A few days before the series is set to 
    debut, Rapaport spoke with us about his career and his new project. 
    
    
    How did you first get involved in acting? 
    I was 
    a stand-up comic.  I started out in stand-up comedy.  That got me more into 
    acting.  Then I stopped doing stand-up comedy and continued acting.
    
    You’ve worked with some of the great directors and writers in show business 
    – Woody Allen, Spike Lee, Richard Price, Quentin Tarantino, 
    David E. Kelley – does it ever amaze you that you are getting to work 
    with such talented people?
    Yeah, 
    I’m always very impressed and humbled that I’ve been able to work with the 
    kind of people that I’ve been able to work with.  But, when I’m working 
    with them I leave the fan at home.  I come to work as a professional.  
    I think if you go into something looking at people as better than you, if 
    you give people too much respect, I don’t think it benefits you or them.  
    It’s like when you’re playing basketball; when you’re a rookie, you have to 
    play the veterans as hard as you could, even thou gh 
    you may have grown up watching them.  When you play them, 
    you have to as hard as you would anybody else.
gh 
    you may have grown up watching them.  When you play them, 
    you have to as hard as you would anybody else.  
    
    Your first movie, 
    Zebrahead became a real cult film.  Were you surprised at the time by the 
    reaction?
    
    Yeah.  At the time I was surprised by anything.  It was all so new to me.  I 
    didn’t know anything about Sundance Film Festival or that kind of thing.  So 
    the whole thing was just a big surprise, because I really didn’t know what I 
    was getting myself into.  
    
    Two of my favorite movies that you were in both came out in 1995 -- Mighty Aphrodite and the criminally overlooked 
    Kiss of Death.  What were those films like to work on?  
    They 
    were great experiences.  Obviously, working with Woody was a great 
    experience.  I was fortunate to be able to work with him again on Small 
    Time Crooks.  But at the time it was very exciting and a lot of fun.  It 
    was a great opportunity.  I learned a lot from him.
    
    After 
    working in film for so many years, how did you get involved in Boston Public?
    I 
    just got approached by David Kelley about doing the part.  I read the 
    scripts and liked it.  I took the opportunity.  I felt it was the 
    best thing to do.  It was the best opportunity, 
    to be on that kind of show and the character was really good.  The 
    character had a lot of colors and I really enjoyed 
    doing it.  That kind of kicked me off as far as maybe doing something else, 
    which turned into The War at Home. 
    
    Even on Boston 
    Public, like the films, you filmed on a closed set.  I believe The 
    War at Home is the first time you have filmed in front of a live 
    audience.  How is that different for you?
     You 
    get a lot of energy from the audience.  Also, the audience will dictate 
    what’s funny and what’s not funny.  Sometimes things that you think are 
    funny, they might not fly in front 
    of the audience.  Sometimes things that you would have never even 
    thought would be funny [get a huge reaction], which is obviously the more 
    positive result.  It’s a great thing because all week you’re 
    rehearsing, rehearsing, rehearsing, and when you get in front of that live 
    audience to perform; the energy that you get when they receive you well is 
    like nothing else.  It’s so much fun.  It’s very electric.
You 
    get a lot of energy from the audience.  Also, the audience will dictate 
    what’s funny and what’s not funny.  Sometimes things that you think are 
    funny, they might not fly in front 
    of the audience.  Sometimes things that you would have never even 
    thought would be funny [get a huge reaction], which is obviously the more 
    positive result.  It’s a great thing because all week you’re 
    rehearsing, rehearsing, rehearsing, and when you get in front of that live 
    audience to perform; the energy that you get when they receive you well is 
    like nothing else.  It’s so much fun.  It’s very electric.    
    
    
    What attracted you to 
    The War at Home?
    I 
    just loved the writing.  I love the honesty of the writing.  I love the 
    style of humor.  It’s really interesting to me.  I like that it’s sort of 
    offsetting; it keeps you off balance.  You never really know what’s going to 
    come out of their mouths.  I really like that.  I like that the show has 
    heart.  It’s not about a family that doesn’t want to be together and a 
    couple that doesn’t want to be together.  They’ve been together for a long 
    time.  They’re in it for the long haul.  They love their kids.  Although, 
    they make comments about it, I think that the character, Dave, would have it 
    no other way.  He’d be nothing without his wife and his kids.  
    
    Why is it that people of our generation have so much harder a time with 
    being parents?  
    I 
    think just the opportunities to go out and do things, the Internet and 
    traveling and all that kind of thing.  I think that the family has taken a 
    back seat to people living their lives and thinking they’re young.  They say 
    forty is the new thirty.  Thirty was kind of the time when you became an 
    adult not so long ago.  Now they’re saying forty is the new time when you 
    become an adult.  It’s just a different time.  It’s evolution.  
    In 
    a lot of ways, the pilot sort of reminded me of 
    Married: With Children, 
    in that the parents really aren’t sure what they are doing with the kids and 
    there are no group hugs and lessons learned.  In fact you often wonder if 
    this family really likes each other, but you know they do love each other. 
     It’s a hard juggling act for an actor to pull off.  How is the cast to work 
    with? 
    The 
    rest of the cast is good.  Anita Barone plays my wife. She’s a lot of fun to 
    work with.  I have a lot of respect for her.  We’ve both been very 
    supportive of each other, so that’s a good environment.  The kids are great, 
    Kyle (Sullivan), Dean (Collins) and Kaylee (DeFer); they’re just a lot of 
    fun.  They’re all very talented.  They’re young, but they’re all very 
    professional.  They’ve been working for a long time.  They’re just 
    interesting young people who I enjoy being around.
    
    Speaking of interesting young people, there is Kyle’s character.  I don’t 
    know about you, but when I was a kid I’d have done anything to not have my 
    parents think I was gay.  Why do you think your son in the show would prefer 
    to be thought of as gay than to get grounded for borrowing the car without 
    permission?  
    I 
    think it’s just an interesting quirk in the character.  It’s just a 
    different take on things.  Some of that may have come from (writer) Rob Lotterstein’s personal life, personal experiences and all that sort of 
    thing.  It’s just a different way to tell a story.  A different angle to 
    approach things.
 have come from (writer) Rob Lotterstein’s personal life, personal experiences and all that sort of 
    thing.  It’s just a different way to tell a story.  A different angle to 
    approach things.   
    
    Not that I’m complaining or anything, but have you noticed that they never 
    do a sitcom where a father has an unattractive teenaged daughter?
    
    Right…
    
    Why do you think it’s so interesting to have a father trying to keep his 
    beautiful daughter pure?
    
    True.  I don’t know, I think it’s a theme that every… It’s kind of like a 
    fantasy kind of thing.  Every parents’ worst nightmare is to have a sixteen 
    year-old daughter who is beautiful and sort of discovering her sexuality.  I 
    think it plays for good conflict.  
    
    Are you afraid you’ll become known as the guy who called Mary Tyler Moore a 
    bitch on TV (in a joke in the pilot episode)?
    Nah, 
    I didn’t even think about that.  That might happen, but I think that… I 
    really believe in the show, so whatever people take to.  I feel that the 
    show is quotable, in the early stages.  There are so many interesting things 
    being said by the characters.  The different points of view are so 
    interesting.  I think that people are going to dig it.  Hopefully, they’ll 
    take it with a little grain of salt and won’t look too far into it.
    
    Well, I’ve only seen the pilot so far, what can we expect from the show in 
    the future?
    
    There’s a whole thing about sex stuff on the internet.  My character gets 
    caught playing around on the internet, doing some bad things.  Kyle, the 
    would-be gay son, that whole thing kind of plays itself out.  There are 
    definitely things dealing with race and Dave’s discomfort with his daughter 
    dating a black kid.  Meeting his family, that’s a very funny episode.  We 
    did one that deals with a missing stash of marijuana in the house.  That was 
    a lot of fun.    
    
    You got a really good timeslot, after 
    The Simpsons on Sunday 
    nights, so Fox must believe in you.
    
    Yeah.  I think they do.  
    
     With so much tragedy going on in the world, like the Gulf Coast floods which happened recently, how do you think a comedy like yours 
    can help people?
With so much tragedy going on in the world, like the Gulf Coast floods which happened recently, how do you think a comedy like yours 
    can help people?
    I 
    think that the comedies are just for that.  They are to give people laughs.  
    For entertainment.  Sometimes they can spur dialogue.  The thing that I 
    think The War at Home does is that I think it will make people talk. 
     Although it’s not Sixty Minutes, we’re not trying to reinvent the 
    wheel.  It’s not a very, very serious show, but I think the weighty issues 
    are dealt with.  We can promote dialogue.  Other than that, it’s just about 
    entertaining and making people laugh.  
    
    While doing 
    Boston Public, you also continued to make films on the side.  Now that 
    you are the lead character of a series, which is such hard, time-consuming 
    work, do you plan to continue taking movie roles or are you going to 
    concentrate on the series?
    
    Yeah.  Yeah.  Yeah.  I’m looking forward to doing some stuff when I’m not 
    working, and even maybe squeezing something in while I’m doing the show.  
    Movies will always be a part of my life.  They’ll always be something I’ll 
    do, as long as I continue to get the opportunities.  I’ve been doing this a 
    long time.  I’ve made like 40-something movies and movies aren’t going to go 
    anywhere.  At this time, I need to try something different and try something 
    new and refreshing, where I get to sort of stand in the front.  
    
    Yeah, I noticed on your filmography that you’ve done 55 movie and TV roles 
    in less than 15 years.  That’s pretty amazing.  What’s it like working so 
    much?
    It’s 
    been a real whirlwind, but I’ve been able to learn a tremendous amount of 
    stuff from a lot of great people, a lot of great experiences.  I’m really 
    fortunate to have done all that stuff.  I’m looking forward to continuing to 
    do the show and other new stuff that will come my way.
    
    Ideally, how would you like for people to look back on your career?
    Look 
    at somebody who gave his all when he was in front to the camera.  Someone 
    who tried to depict people in an honest way.  Someone who had a little bit 
    of versatility.  And someone who maintained his integrity throughout his 
    career.  
    
    Are there any misconceptions you’d like to clear up?
    
    Yeah.  Sometimes people think I’m dumber than I am because of the characters 
    that I play.  But it takes a genius to play a fool.  
    
    
    
    
    
    
    
    Email
us        Let us know what you
think.
Features
       Return to the features page
