Gimme Shelter
	A few months ago I was reading about the fact that 
	Rick Santorum – evangelical Christian and mega-conservative politician who 
	came in second for the 2012 Republican Presidential nomination – was 
	starting a new film company to create religious "family-friendly" films.  
	The first of those, The Christmas Candle, blew out with 
	barely a flutter over the holiday season.  The few reviews that film 
	received pointed out the film's heavy-handed moralizing.
	About a half hour into the press screening of 
	Gimme Shelter, I suddenly had a weird feeling: Oh shit, I'm at another 
	Rick Santorum movie.  The more I watched, the more I was sure that was the 
	case.  Turns out Santorum had nothing to do with the movie.  But he may as 
	well have.
	
	Gimme Shelter 
	is sort of like getting stuck at an almost two-hour-long evangelical 
	pro-life rally, complete with sermonizing, lots of cute babies, random bible 
	passages, the vilification of "welfare queens" and even gratuitous 
	references to Ronald Reagan.  If they only added some gun rights arguments 
	and a confederate flag, 
	I would swear it was made by the Tea Party.  
	Kind of a weird place to end up in a movie which 
	blatantly steals its title from an 
	old Rolling Stones song.
	Is Gimme Shelter a bad movie?  Not really, 
	but it is not a good film either.  It is well filmed, the acting is mostly 
	good and some of the action is gripping.  Still, it is a screenplay at 
	service of a cause, not a storyline.  It is working so hard to convince us 
	that every little life is sacred that it never quite bothers to show us 
	realistic, complicated adult lives.
	A title scrawl at the beginning assures us that 
	Gimme Shelter is "based on a true story" of Agnes "Apple" Bailey.  I 
	suppose it is nice that it's a true story, though I'm not going to lie, I'm 
	not sure why Apple's story warrants filming.  All she really does is escape 
	from an abusive lifestyle and decide to keep her baby.  Not to underestimate 
	her accomplishment, but lots of people have done that.
	Apple is played by former teen queen Vanessa Hudgens, 
	all of her High School Musical cute perkiness overshadowed by dirt, 
	cuts, bruises, lack of makeup, facial piercings and a really bad scissor-cut 
	hairdo.  We meet her in a run-down project apartment, where she hides in a 
	bathroom, cuts off most of her hair and then makes a break to get away from 
	her dirty, drug addled mom, who just wants Apple around so she can 
	cash her 
	welfare checks.
	If Hudgens is brave in playing against type, Rosario 
	Dawson really takes a huge risk by throwing herself into a character who is 
	so pathetic and off-putting.  She has stringy hair, bruises all over, a 
	horrific temper and orange teeth.  It's quite a transformation for such an 
	attractive actress.  Dawson is tough to recognize.  
	Apple tries to track down her father (Brendan 
	Fraser), a man she has never met but who she knows lives in a McMansion in 
	Jersey.  The guy tries haltingly to help his daughter, but honestly she's 
	kind of impossible – obstinate, angry and not even in the tiniest bit 
	appreciative of his attempts to step up for her.  However, when it turns out 
	that Apple is pregnant, his wife makes the mistake of trying to get the 
	16-year-old homeless girl with no money to support a baby to get an 
	abortion.  Apple runs away and takes to the streets again.
	An automobile crash introduces Apple to a kindly 
	priest (played by a wasted James Earl Jones), who takes Apple to a shelter 
	for pregnant teens run by his friend.  You know right away that Kathy (Ann 
	Dowd) must be saintly (in this film's viewpoint, anyway), because in her 
	office she has lots of religious posters and pictures of herself with Mother 
	Teresa and Ronald Reagan.
	So will Apple find new purpose and a love of God in 
	this home with her new roomies, all of whom are very pregnant or 
	already have  
	small babies?  Will she get away from her desperately clinging and abusive 
	mom?  Will she ever make up with her long lost dad?  What do you think?
	There is one girl at the home who does not fit in, 
	so she moves out.  I was certain Gimme Shelter would punish her for 
	her wild ways, but instead it's like the film just forgot to close out her 
	story.  She just disappears.  I'm pretty sure if the deleted scenes ever 
	show up on the Blu-ray release, there will be a scene where that girl gets 
	her cosmic comeuppance for wanting to drink, have sex and live her own life.
	
	In fact, this film is so thoroughly repressed that 
	every time one of the little babies in this movie (and there are lots of 
	them) started to cry, the mothers fed them by bottle.  What, is breast 
	feeding sinful now?  
	
	Gimme Shelter 
	has its heart in the right place, I would guess, and there is an audience 
	for its story and its particular point of view.  I don't even necessarily 
	begrudge the movie its political slant.  Lots of fine movies have strong 
	opinions on life.  I just wish that writer / director Ron Krauss remembered 
	that the job of a movie is to entertain audiences, not just
	to convert them.
	
    Dave Strohler
    Copyright ©2014 PopEntertainment.com. 
	All rights reserved. Posted: January 24, 2014.
	
 
 
	

	
			
			

	

 
 

	
