You have to
wonder what it is like on Father’s Day at Michael C. Hall’s house.
It certainly couldn’t be as bad as it is for his characters.
Hall first
burst into our consciousness when he played David Fisher, a gay
funeral director who is haunted by the memory of his disapproving
father in HBO’s hit series Six Feet Under. Then for the past
five years, Hall has been known as serial killer Dexter, who
was mentored in “the code” of his deadly trade by his adoptive old man.
Now Hall is
starring in the comic drama Peep World – playing the
responsible son of a large, squabbling family. He must throw a 70th
birthday party for his father, despite the fact that the obsessive
businessman has never been there for his children and always had an
antagonistic relationship with all of them.
So all the
characters with daddy issues are just a coincidence, right?
“I don’t know
where I come down on the coincidence front,” Hall good-naturedly acknowledged to me
recently at the Andaz Hotel in West Hollywood. “But I can’t deny
that those three characters – two of which have obviously occupied a
great deal of my time and focus over the last decade – have
fundamental issues with their fathers. I think that’s a universally
relatable dynamic for any man – whether the father is absent or
present or some combination.” He laughed. “So, yeah, I think I am
compelled by those kinds of stories.”
And America
has been compelled by Hall’s stories for the past decade. The man
has only been a lead character in not one but two of the television
series most responsible for the cable revolution of the past
decade. Six Feet Under lasted for five very popular and
critically acclaimed years. Dexter is soon to start filming
its sixth season.
However, in
recent years, as much as Hall has enjoyed his television work, he
has been stretching out into feature films. Last year he co-starred
in the Gerard Butler action film Gamer. Now he has two new
films coming out – the first of which is Peep World.
Peep
World
– despite its
scandalous title – is actually the drama of an extended family
reaching a breaking point. Hall stars with Rainn Wilson (his Six
Feet Under co-star), Sarah Silverman and Ben Schwartz as the
Meyerwitz siblings, a group of 30ish losers who have grown up in the
shadow of their domineering father (Ron Rifkin).
The film is an
intriguing mix of comedy and drama, as is suggested by the stand-up
heavy cast (beyond comedians Silverman, Schwartz and even Wilson,
the cast also includes Judy Greer, Stephen Tobolowsky and even has a
narrative voiceover by Lewis Black.)
It was a fun
experience for Hall to work in a film with such strong comic
overtones – because while both of his series do have some funny
parts, the comedy was mostly very dark.
“Someone like
me was probably drawn to it because of some of its comic elements,”
Hall said, “and some of the more comically minded actors – or actors
who are more associated with being comic – were drawn to it because
of its dramatic elements. Acting is acting. You just play the
situation. There are things that are inherently fraught with
tension and drama in this, and there are things that are inherently
funny. It’s just our job to try to tell the truth.”
However, after
five years of playing a serial killer, it must have been something
of a relief to play an overwhelmed businessman with a non-deadly
secret, right?
“The time I
spend playing someone who is so uniquely afflicted with all this
darkness… not that Jack [Hall’s character in Peep World]
doesn’t have his own afflictions… but it’s nice to play a person
where there wasn’t some kind of internal chaos he was dealing with,”
Hall laughed. “He was dealing with external chaos. He’s just a
guy. That was appealing.”
Just a guy…
but he’s a guy with a rather crazy family. When the Meyerwitz clan
finally does connect for the uncomfortable reunion, the movie is
fraught with simmering hard feelings but also some truly wicked
satire.
“It was
lighter and more free-flowing laughter,” Hall agreed. “When we were
shooting that dinner scene, there was a refreshing lack of
preciousness or sacredness about it. We were all laughing and
joining in on that. Cracking up and cracking each other up. Then
it would be time to do the scene. That energy, while you turn it off – we’re obviously not laughing right now, we’re
in the midst of a very awkward dinner – really informed a sense of
collective participation.”
The dinner was
awkward for many reasons with this dysfunctional family. Despite
the father’s ultimate responsibility for some of the problems, each
of the other Meyerwitzes brings their own baggage to the room.
Much of this
baggage has been outed by the youngest son of the clan, Nathan (Ben
Schwartz), who has written a best-selling novel (named Peep
World, hence the movie’s title) which is very blatantly based on
his family. Nathan’s book exposes many of his siblings’ deepest,
darkest secrets under the guise of fiction.
Because of the
book, sister Cheri (Sarah Silverman) – who is made out as a bitchy
wannabe actress – is suing her younger brother. The book intrudes
on her life even more when a movie version is being made, literally
filmed right outside her apartment. And to add insult to injury,
the actress who is playing her character in the film is their dad’s
latest girlfriend.
The
oldest brother is Joel (Rainn Wilson), the black sheep of the
family, an ambulance-chasing lawyer who is in debt to a loan shark
and constantly working on losing get-rich-quick schemes.
Hall’s
character of Jack is trying desperately to keep the peace with his
family. At the same time he has to save his faltering business and
his strained relationship with his pregnant wife, Laura (Judy
Greer). Much of the strain is due to the book, in which Jack’s
deepest, darkest secret is revealed.
The book
Peep World has ripped out the frayed thread the family had
holding them together. Yet, as Joel’s cop girlfriend (Taraji P.
Henson) points out, it was just a book: she has cousins who had shot
each other and gotten over it.
“I think it is
misplaced anger, misplaced frustration,” Hall said. “Not that it’s
not justifiable to be angry with Nathan for what he’s revealed, but
I think all of these characters in a different way struggle with a
sense of having been deprived of something or missing something. It
has a lot to do with their father. The fact that Nathan wrote this
book has a lot to do with the father. The frustration with Nathan
is ultimately the frustration with the father. That’s what reveals
itself at that dinner.”
We never learn
all of the things that Nathan writes about Jack, but we do learn the
main thing. Jack’s dirty little secret? As suggested by the title
of the book (and the movie), it turns out that he sometimes visited
those little booths in the back room of an adult book store – the
kind of booth that are surrounded by embarrassed-looking men, the
hushed sounds of moaning behind closed doors and the acrid smell of
ammonia.
And while Jack
certainly isn’t the first guy to frequent porno shops, the idea of
this indiscretion getting out to the world horrified him.
Particularly he wanted to shield his pregnant wife, who was trying
to believe his protestations that Nathan made this part of the book
up for effect. This pretense is blown up when she follows him and
catches him in the act.
As an actor,
once he got the role, Hall “wrote out a page of what I imagined
would be the most damning, upsetting passage from the book. Just to
have a sense that everybody around me had read that and was
projecting back onto me.
“It was a
description of Jack, in that place and in that state, and the master
he was serving. What Jack is caught doing in and of itself is like…
well, you know… it’s not the worst thing in the world,” Hall
laughed. “But I think the fact that she sees him there suggests that
whatever was written that included that kind of information in the
book was true – and everything else that was questionable or
that she wanted to believe wasn’t true was also true. We don’t
really know what those things are, but they’re obviously not so evil
that she’s not willing to leave the door cracked for him to open up
and walk back through in the end of the movie. At least start to.”
The healing
for the couple, oddly enough, starts on the night of the family
dinner. Despite her original protestations, Laura agrees to
accompany her husband to the affair and act like nothing is wrong.
As she sees how he is treated by his father and family, the seed of
forgiveness is planted in her.
“It
is two steps forward, one step back,” Hall said. “Or one forward,
two back. I’m sure there will be other slip-ups and speed bumps,
but I do think that it’s a day in Jack’s life and in the life of his
marriage that will go down as a real big one. I mean, walking away
from the business is huge. Standing up to his father on behalf of
himself and his siblings is huge, in terms of his
relationship to his father and to himself and his relationship to
the rest of his family. So, it’s a big day. And having secrets
that he’s been burdened with keeping, to have them revealed is
horrifying on the one hand, but it also relieves things to a
degree.”
Even though
they were having problems in reel life, Hall had nothing but nice
things to say about the real life actress who was playing his wife.
“Judy is a
great comedienne,” Hall said. “She’s also – not that they’re
mutually exclusive – but she’s a wonderful actress, so present and
emotionally available and intelligent and just great.”
Nathan’s
character made himself into a superhero in the book while making all
the others look bad, which hardly seems like a familial thing to
do. It almost makes you wonder if the character of Nathan really
thought out how his family would react to having their dirty laundry
outed like that.
“He must have
on some level known,” Hall acceded. “But we have the ability to lie
to ourselves and to believe the lie and to tell ourselves whatever
story we need to tell ourselves so that we can do whatever it is
that we’re compelled to do. That was probably in play with Nathan.”
Hall
– who is in real life an only child – does feel that if he were in
the position, the possibility of forgiveness would not be out of the
question.
“With time and
communication and heartfelt acknowledgement of the suffering he
caused, I think, yeah, forgiveness would be possible.”
Another odd
quirk of Jack’s character was that he was obsessively reading a
biography of Adolf Hitler, which some would say was a bit out of
character for the man. Ironically, a few years ago, Hall narrated a
documentary on the life of Hitler. However, he insists the Hitler
connection was a coincidence.
“I didn’t
lobby for the Hitler thing,” Hall laughed. “I think the Hitler thing
is about a fundamental desire to escape, so he escapes into this
history. [It may be] also, a fundamental desire to maybe punish
himself, so he escapes into this account of a man who exterminated
his own people. It has to do with some weird manifestation of
Jack’s self-loathing. I don’t know, it did make some kind of weird
sense to me.”
Jack’s older
brother Joel was played by The Office star Rainn Wilson, with
whom Hall had worked years before on Six Feet Under. Hall
was happy for the opportunity to work with him again.
“It was nice
to reconnect with Rainn,” Hall said. “Worked with him on Six
Feet Under and actually even knew him before that. We both went
to NYU grad school. He graduated before I got there, but he
directed a show while I was there and I knew who he was. Yeah, it
was great.”
Of course,
Hall still has a strong connection with all of his Six Feet Under
co-stars, like current Parenthood star Peter Krause.
“Peter, still
when I see him, feels like a brother. We were a family when we did
that show. We were playing a family and we were a creative and
working family. It was great. He was my brother in that, you
know?”
It’s so rare
for an actor to be a hit on a single popular TV series and Hall has
now spent the past decade as a huge part of two of the most
respected series on television, with five seasons of Six Feet
Under and now Dexter leading into its sixth season.
“It’s
like I’ve got shit on both my shoes,” Hall laughed. “It’s
phenomenal. It’s beyond anything I ever imagined for myself. As
far as a successful career goes, I don’t think I ever went beyond
hoping I’d get to work on good material with good people and go out
to dinner and not think too much about how much the entrees cost.
That was my fantasy of success. A lot more specific than that, I
didn’t really think about it. Frankly, as these cable television
programs have emerged, those are jobs that didn’t even exist when I
was in school. The idea that you would commit to a character that
was open ended and evolved and changing all the time, with all kinds
of new characters coming in and out, new scenarios… the idea of
doing television for a long time was, I guess, appealing in one
sense, but from a creative standpoint I imagine that the ultimate
would have been just spinning your wheels, telling the same story
again and again and again – whereas this one continues to unfold.”
It is rather
surprising now that as Dexter’s next season starts later this
year, it will have been on the air even longer than Six Feet
Under was. For such a dark and disturbing story idea, that is a
bit of a shock. Hall himself was never sure quite how far the
series might go.
“I certainly
knew that Showtime was behind it and the trajectory of the first
season looked good,” Hall said, “and that if we succeeded we’d
probably be called on to do a second and maybe a third. I thought
the show would be well-supported and we’d do more than one season,
but I didn’t anticipate that it would turn out to be as broadly
appealing as it has.
“I go back in May to start
shooting season six. We’ll go until late October and the show will
air in mid-October. I have a sense of the broad strokes of what’s
going to happen.” He pauses briefly and teasingly, then smiles.
“I’m not telling you.”
Before he had
done Six Feet Under, Hall was best known as a theatrical
actor. The one negative, perhaps, of his success in television is
that it has severely limited his time to get back to his roots in
live performance.
“Aside
from getting on stage and doing a play between shooting the pilot
and the first season of Dexter, I haven’t been back,” Hall
admitted. “But I can’t imagine that I won’t. I’m just not sure
exactly when or what.”
In the
meantime, Hall is branching out more into films. Beyond Peep
World, he also appeared in last year’s Gamer. He has also recently finished his next film role,
East Fifth Bliss.
“It’s a movie
based on a novel by the same name about a guy, Morris Bliss,” Hall
explained. “He’s 35 years old. He’s still living in his East
Village apartment with his father. His mother – his father’s wife –
died back when he was in high school. His life is just sort of
stalled for nearly two decades. I guess the movie starts with this
post-coital scene with Morris and a very young girl and that is sort
of the thing that blows his world up and gets him moving.”
Hall is
enjoying the filmmaking process, and yet it is a bit of a change in
process to the television work he has been doing for so long now.
“There’s a
discernable beginning, middle and end to the span of work – to the
story you’re telling.” Hall said. “At the beginning it’s not this
open-ended commitment. It’s very different in that way. After
having played David Fisher for five seasons and Dexter five going on
six and maybe beyond – a film feels like you get so many fewer
brushstrokes to paint the picture with. Hopefully, it appears fully
fleshed out, but it feels more like a sketch.”
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