Harry Brown 
	
	Michael Caine is one of the great actors of the last century.  Harry 
	Brown would make a wonderful crowning achievement in a long and 
	distinguished career, though luckily it does not appear that at 77 
	years old that the actor is planning on retiring any time soon.  In 
	fact, Caine has been doing some of the most interesting and risky work in 
	his career in recent years. 
	
	This film is being compared to a similar American story, Gran Torino 
	– in which elderly tough guy Clint Eastwood plays an angry widower who takes 
	on the tough kids that have overrun his once-quiet neighborhood. 
	
	There are definitely surface similarities in the movies – an aging acting 
	legend plays a recent widower who uses his skills (Harry Brown is 
	ex-military) to go to war with a group of violent young punks who are 
	terrorizing his council estate (the UK equivalent of a housing project).  In 
	fact, the story line has deeper roots than this – both are
	variations of the 
	old 70s Charles Bronson classic Death Wish.
	
	However, as much as I liked Gran Torino, (and Death Wish, for 
	that matter) I have to say that Harry Brown is definitely a better, 
	deeper film.
	
	
	Harry Brown 
	does not 
	romanticize its hero in the same way Gran Torino sometimes did.  
	Harry knows he is in way over his head.  He is terribly frightened and is 
	often crippled (and thus put into great danger) by 
	a serious emphysema condition.  Unlike Eastwood’s Walt Kowalski, Harry Brown 
	is not merely fueled by simmering anger – though 
	he definitely is angry about the violent state of life in his slum London 
	estate (ironically, the film was made quite near Caine’s boyhood home) – but 
	also by desperation and a complete lack of anything left to lose.
	
	This is because his wife dies early in the film.  In fact, Brown misses 
	being with her in the end because he is unable to use a walking tunnel to 
	get to the hospital because the local toughs have taken it over to sell 
	drugs and fight. 
	
	These same guys are making Harry’s best friend Len’s life miserable.  When 
	the kids stick a burning paper through Len’s mail slot and he just barely 
	escapes smoke inhalation, the older man decides to confront the hoods – and 
	is beaten to death. 
	
	Harry had been trying to ignore all of the chaos going on in his old 
	neighborhood.  (In an early scene he watches impotently out the window as 
	some toughs break into a neighbor’s car and beat him and his girlfriend when 
	they try to stop the crime.) 
	
	However when he finds that the police are well-meaning but essentially 
	helpless, Brown finally realizes that he has to protect himself and perhaps 
	save his area from crime.  This leads to some horrifically tense situations 
	in which Brown has only his guile to protect himself from the animal-like 
	denizens of the local underbelly.  Particularly harrowing is a scene in 
	which Brown goes to buy a gun from a couple of local dealers only to find 
	himself in a Stygian nightmare in their filthy flat. 
	
	The tension causes the neighborhood to combust, with the criminals, the 
	police and Brown in a desperate battle for the soul of the area. 
	
	Harry Brown 
	is certainly not an upbeat film, but it is a smart and impassioned call for 
	action.
	
    Jay S. Jacobs
    Copyright ©2010 PopEntertainment.com. 
	All rights reserved. Posted: April 30, 2010.

