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SARAH MICHELLE GELLAR
GETS UNDER
THE SKIN IN THE GRUDGE
by Brad Balfour
Copyright ©2004 PopEntertainment.com.
All rights reserved.
Posted:
October 26, 2004.
Ever since she was discovered by
an agent at age four, New York born and bred Sarah Michelle Gellar has been
in spotlight from doing commercials, as the groundbreaking star of Buffy
the Vampire Slayer and film star (Cruel Intentions/I
Know What You Did
Last Summer). Now, in rapid fired sentences, Gellar answers questions
about her latest film, the dread-laden The Grudge—a horror film based
on its Japanese predecessor. As a horror film vet, Gellar applied her skills
deftly, both drawing audiences in and creeping them out.
What made you want to be in The Grudge?
I had a fascination with it. I had left the TV show and it was the first
time in my life where my own decisions could be based on what I want to do
rather than have to be planned during my hiatus. [Also because it offered]
the opportunity to travel to Japan and live there-- not just visit for a
press junket where I only end up seeing the Park Hyatt. It was cool to be
part of something that was a first because this is a first time that a
Japanese remake was directed by the Japanese director of the original with
an all Japanese crew. Also, by American standards, it was probably one of
the cheapest films made this year but by Japanese standards, it was one of
the most expensive films ever filmed at Toho Studios where Godzilla movies
are made. So all those firsts combined made it a unique opportunity.
Are you a fan of Japanese horror films?
I’m a fan of Japanese cinema in general. I don’t get genre-specific. It’s an
incredibly untapped market. As American filmmakers, we constantly steal from
everyone and I wonder why we weren’t stealing from the Asian film market.
You would think that after Crouching Tiger, Hidden Dragon that there
would have been this massive influx. It was all hype but then not much
happened. Now we see it with the remake of The Ring, Shall We Dance
and Dark Water. I’ve seen all the originals of those films
and I saw Hero like two years ago.
Did you see lots of stuff in Japan?
So much. I went anywhere I didn’t have to fly to because they wouldn’t let
me. God bless the bullet train. I went to Kyoto, I saw sumo wrestling, I
went to all the temples and shopping. The Sony store in Japan has
these
robotic dogs that take commands. I wanted to bring one back home.
How was it working with a Japanese director who didn’t know English?
Well even though he doesn’t speak the language he always had control of how
much tension should be in the movie. I can barely control things in English
let alone pay attention to every character and every scene. If a movie works
then you should be able to watch it with the sound off and still understand
what’s going on. That’s what this was like because we couldn’t really
communicate with words. The themes are universal because it’s about
betrayal, rejection and marriage. Also little Japanese boys are scary.
Besides the language barrier how different was it working with a Japanese
director?
He’s very quick. Coming from TV I thought I knew what fast was but you don’t
know fast until you work with Japanese filmmakers. I learned a lot like that
as an actor you have to put complete trust in your director, that he will
lead you through your performance. As a director you have to trust your
actor to bring your vision to the screen. In television, you have directors
coming in and out all the time and you are the keeper of your character. No
television director has seen every episode of every show and definitely not
like we have, so you have much more control over that. This was a great
lesson because without language I had to really trust the director. I think
that it will make it easier from hereon in because if a director speaks
English then that is a bonus. In the beginning we had a translator and by
the end she was afraid she was going to lose her job because we didn’t need
it. I understand a lot of Japanese but I can’t always speak it back.
How was it working with master director/producer Sam Raimi [Spider-Man; Xena: Warrior Princess; Evil Dead]?
He is obviously one of the most powerful directors in Hollywood and I
figured he would just show up at the premiere. But he is so hands on and so
passionate. He loves what he does and was very strict about letting [Grudge
director Takashi] Shimizu have his vision and making the studio back off. He
is also one of the kindest people I’ve ever met. About two weeks ago he
called me to see if I was ok and I was like "What do you need?" He said he
didn’t need anything but really just wanted to know if I was ok.
Did you shoot more than one ending?
We shot endings as well as epilogues in Japan. We shot the film on a very
modest budget then a month later I had to go back to Japan for re-shoots.
That worried me a bit but it turned out they wanted to add back story for
our characters.
Would you be in the sequel?
I’m not signed for a sequel but I know Sam wants to do one. I want to open
the movie first.
What frightens you?
I’m not really a fearful person. I don’t live my life in fear. I look
forward to challenges but I’m not going on Fear Factor anytime soon.
I don’t like rats or roaches and most things New York City girls are
supposed to be afraid of.
What draws you to the horror genre?
Being on Buffy really spoiled me because it’s so rare to have a
female protagonist like that. Women drive television but they have a long
way to go in films. Women can’t open a comedy the way Jim Carrey can or open
an action film the way Tom Cruise can. In the horror genre seems to be where
women shine like Naomi Watts in The Ring. Our last two Best Actress
winners went on to do genre films; Halle Berry did Gothika and
Charlize Theron is doing Aeon Flux. Some actresses can be the
girlfriend or the wife but I think I would get so bored.
How does being such an icon affect your life?
I was very young when the show became successful but at the same time I
wasn’t that young. I grew up in New York with a very normal upbringing even
though I was working. I don’t know how the young girls who get success when
they younger than 18 handle it because you’re under such a microscope. Those
are such difficult years and I would never want to be a teenager again for
all the money in the world. For the eight years of "Buffy," my movie roles
were determined by my hiatus. I had three months and I was able to do
whatever I could in those three months. I couldn’t do any independent films
because the finances on those are so shaky. If god forbid the money wasn’t
in the bank at a certain date that was my hiatus so my options were very
narrow.
What’s next?
First a vacation. Then I hope to do this Richard Kelly project. This movie
raised the bar so high for me and I learned that I don’t have to jump into
anything. For fifteen years I didn’t know it was
ok to take projects slowly.
Would you ever want to go back to series television?
Definitely not in the next five years but just because I physically can’t do
it. Also… Why can’t hotels have TiVos? I’m missing a lot of my shows right
now. I think hotels should have TiVo and every guest that comes in can set
it for their shows. Then, when you can’t sleep instead of watching
SpectraVision you watch your shows.
Were you happy with the way Buffy ended?
Yes and no. I believe the finale of Buffy should have been two hours.
I think a lot of the characters, specifically Xander, didn’t get enough
screen time. But I loved the idea that she was going full circle and sharing
her power. I know some stuff had to get cut like a scene where I was walking
down a hall in the high school having flashbacks so it was fun seeing all of
us from eight years ago.
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