Oprah Winfrey Presents Mitch Albom's
For One More Day
You can tell by the
name-heavy title of this pleasant-but-manipulative little TV movie that
Oprah Winfrey Presents Mitch Albom's For One More Day is meant to be an
important piece of television which will be good for you so you
better watch it.
Winfrey has parlayed a TV
talk show into a position of huge power as an arbiter of tastes in the US, particularly for women. Though, in all fairness, Winfrey and her
staff's literary tastes are, in general, spot on. She has exposed many
worthy authors and books to huge audiences via her Oprah's book club and
Winfrey has literally become a serious force in publishing. This is
mostly a force for good, though she was never taken to task for her
self-righteous pillorying of writer James Frey for enhancing some facts in
his memoir A Million Little Pieces and essentially ruining his career
and reputation as if it was really all that unusual for a memoirist to
embellish the facts a bit.
Albom, on the other hand,
is a sportswriter-turned-inspirational novelist (Tuesdays with Morrie,
The Five People You Meet In Heaven). His books are in general short,
lightweight, well-written, well-intentioned, sentimental, feel-good stories
about appreciating
the little things in life and death. Some people call Albom's books sappy
and they are certainly not wrong but no one can deny that his homilies have hit a
nerve in pop culture, making him a literary phenomenon.
This seems like a lot of
baggage for a made-for-television movie.
Michael Imperioli of the
Sopranos takes a pretty impossible role and does as well as he can with
it. He plays Charles "Chick" Benetto, a middle-aged former baseball
played who is now an alcoholic wreck.
Throughout his life, Chick
was always trying to impress his tough, single-minded father (Scott Cohen)
to the point that he nearly ignored his saintly mother (played by Samantha
Mathis as a young woman and Oscar-winner Ellen Burstyn as an older woman.)
Chick threw himself obsessively into baseball because it was his father's
dream, but he never quite grabbed the brass ring.
His one shining moment was
when he was briefly called up to the major leagues to play and even goes to
the World Series. (According to Chick's explanation he was brought up
in September to replace an injured player, but unless the rules have
changed, I don't believe a player is allowed to go to the series unless he
is brought up earlier in the season). But even that crowning glory
ended in failure for Chick. Years later, he is still drunkenly
reliving the moment when he was easily struck out by Gaylord Perry.
In the years that follow,
he becomes an alcoholic, breaks up with his wife, is on the verge of losing
his job, becomes estranged from his daughter and misses the opportunity to
say goodbye to his mother before she dies.
Chick finally hits
rock-bottom, barely surviving a drunk-driving wreck in which he is
responsible for flipping a truck and himself landing in a ravine. He
stumbles out with a can of beer and a gun and ends up in the dugout of the
field where he played little league ball, determined to kill himself.
He only stops because as he
is readying himself to pull the trigger, he sees his mother across the
field. Yes, the same mother who had died nine years earlier. He
is given the wonderful gift of being able to spend one more day with her as
they take a tour through the important moments in their life.
This is a wonderful
conceit, though it does not quite pay off. You look for some changes
in Chick over the years, but they don't really seem to be there. It
seems Chick was a miserable kid, a miserable young adult and a miserable
middle-aged man. In fact, being with Chick at ten would have been only
marginally less insufferable than being with him in his 50s. (By the
way, Imperioli looks way too young to be a man who played in the 1973 World
Series even with aging makeup.)
Ellyn Burstyn, on the other
hand, is radiant as his mother. She is a jewel who should still be
acting much more that she does. She nearly single-handedly rescues the
plot from pathos and manipulation. We never quite understand why she
loves Chick as much as she does other than the obvious mother/child bond
but we never, ever question her intentions or her virtue. The
mother is a much more interesting character than the son ever could be and
really should be the focus of this film.
(Note: Despite the fact
that this is listed in the "Available at Your Video Store" section, at the
time of this posting the movie is only available as a television movie
running on the ABC Television Network. It is almost inevitable that it
will be released on DVD, but there is no official release date set.)
Jay S. Jacobs
Copyright ©2007 PopEntertainment.com. All rights reserved.
Posted: December 8, 2007.
