YABBA DABBA DOO ...
Everyone's favorite
modern stone age family
are celebrated on The Flintstones
- The Complete Third Season.
Focusing on construction worker Fred Flintstone and his curvaceous wife
Wilma, his "bestest" buddy Barney Rubble and his better half Betty;
the Flintstones took the changing mores and sexual and financial
landscape of the early sixties and transplanted them into a cartoon
world.
The show was dreamt up by William Hanna and Joseph Barbera
, the creative duo who
also brought
us Tom & Jerry, Yogi Bear, Huckleberry Hound, Quick Draw McGraw, Squiddley Diddley, Magilla Gorilla
and Atom Ant. The
Flintstones premiered on
prime time (a then
unheard-of time period for an animated series) in 1960 and
became one of the most popular and critically acclaimed shows
on television
for the next several years.
By the time Hanna-Barbera reached
Season Three (1962-1963), they had the machine down to a science. Lead
character
Fred Flintstone
(voiced by the brilliant Alan Reed)
is an
obvious knockoff off on Jackie Gleason's Honeymooners character, Ralph
Kramden. Fred is the everyman, a regular blue-collar ham and
egger with a good heart but a propensity for screwing up everything
he touches. The vulnerability of the family patriarch (in
an era when most TV dads were benevolent, perfect citizens like Ward
Cleaver, Dr. Alex Stone or Jim Anderson) is one of the
keys that made Fred
Flintstone much more than a
one-dimensional character. Let's face it, for better or worse, there's a
little of Fred Flintstone in all of
us. The episodes found on Season Three resonate with enough
pratfalls, witty repartee and
zany Fred and Barney
hijinks to keep you laughing until
your belly aches.
Included on the 4-DVD set are 28 classic episodes , plus a bonus look at
Flintstones collectibles. One of the
standouts episodes on the
collection is "The Twitch, "
an episode which pokes fun at the then -current
dance craze popularized
by
Philadelphia bred singer, Chubby
Checker h is the smash singles, "The Twist "
and "Let 's
Twist Again. " In this
Stone Age version, through a weird series of circumstances, Fred
has to fill in for the twist king
after the singer loses his voice at a benefit concert for
Wilma's Ladies Club. Fred
takes his place at
the mike, long-hair wig in place atop his head, and
performs "Bedrock Twitch, "
a frenetic blend of Fifties rockabilly
and slippery R&B.
Meanwhile, "Dial S
For Suspicion," continues in the show's
time-honored tradition of spoofing
cultural icons. This
episode playfully skewers the Alfred Hitchcock
thriller, Dial M For Murder, upending that classic film's
labyrinthine criminal plot with a comical twist.
Pop culture also was on the receiving end in the
memorable installment "Wilma, The Maid."
As was the series' long-lived tradition, they
lampooned current celebs with characters whose names were decidedly
stony variations on their monikers (i.e. Ann-Margrock, Cary Granite,
Stony Curtis, etc.). This one features a disgruntled maid known
as Lollobrickida, an obvious spoof of
Italian pin-up
queen, Gina Lollabrigida.
This collection also features one of the most
historic episodes in
Flintstones lore.
Not blind to the fact that babies were always a
ratings bonanza in the early days of TV (two words: Little Ricky); "Dress
Rehearsal" chronicled the
frenetic birth of the
Flintstones' lovable,
constantly cooing daughter,
Pebbles. This particular chapter was such a
runaway success that it yielded
yet another
addition, this time to the Rubble family.
Betty and Barney's son was
named Bamm-Bamm. For
some reason the infant was blessed with super-human strength
(Barney's a tough mofo, but really...) and
had dialogue limited to his grating trademark yelp, "Bam! Bam!"
The show may seem strangely timeless, but what doesn't stand the test of time as well is the actual animation.
The drawing suffers from the financial constraints placed upon the Hanna-
Barbera team who were forced to crank out episode after episode in an
dizzyingly expedient manner. Therefore, to achieve the
show's trademark look, a primitive animation technique was
utilized. There was little movement to the characters and many of the
set backdrops were used over and over again. While
minimalizing man-hours and helping
the producers meet deadlines,
it certainly does detract from the effectiveness of the overall
visual presentation.
That said, if the look of the show is a bit dated and primitive,
(unlike the imaginative vibrant animation
technique used to create the
Warner Brothers cartoons, for instance) it's
narrative voice is still as current as the rocking rag-top that Fred
uses to cruise the streets of Bedrock.
The Flintstones stands as one of
the sixties most-beloved TV programs, continuing to attract legions of
new fans and inspiring such spin-offs as 1971's
The Pebbles & Bamm-Bamm Show. The success of
The Flintstones also ignited a bonanza of merchandising
opportunities;
selling the Stones-crazed kids all sorts of things they didn't really
need, like vitamins, cereal, board
games, dolls, pillows, coloring books, cookie jars and much more.
Marketing was just a
happy circumstance of the series' following, though. What makes Fred,
Wilma, Betty, Barney, Pebbles and Bamm-Bamm (and yes, even eventually
less-inspired characters like the Great Gazoo) vital is that they
touched off a revolution in animation. Cartoons were no longer just for
kids. The Flintstones
(together with The Adventures of Rocky &
Bullwinkle) blasted
down the cartoon door, helping to legitimize animation in an adult
landscape. No longer solely relegated to Saturday morning fare,
The Flintstones made it
possible for such successful animated favorites as The
Jetsons, The
Simpsons,
Ren & Stimpy and Family
Guy to follow in their
shoes. Okay, the Flintstones and the Rubbles
didn't wear shoes, but you know what I mean...
Ken
Sharp
Copyright
©2005
PopEntertainment.com.
All rights reserved. Posted February 13,
2005.
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