It’s not easy to make a living in Hollywood as a cult
celeb, but Bruce Campbell never believed in doing things the easy way.
Campbell has become a God for throngs of fans for B-movies
and genre work. Best known for his role in Sam Raimi’s Evil Dead
films and The Army of Darkness, Campbell has had only one
requirement for his projects – that they be different and intriguing.
This includes playing a still-alive Elvis in Bubba Ho-Tep, the
Surgeon General of Beverly Hills in Escape from Los Angeles, the
title character in Maniac Cop and supporting roles in A-movies
such as Fargo, Congo, The Majestic, Intolerable
Cruelty and all three Spider-Man
films.
His most recent film, My Name Is Bruce – which he
also directed – has him playing a fictionalized version of himself as a
slob B-movie hero who is forced to fight evil for real. Campbell
also has a history of short-lived TV series – particularly the critical fave Adventures of Brisco County, Jr.
Finally he has gotten a role in a series that is exposing
him to a wider television audience, the popular spy series Burn
Notice with Jeffrey Donovan, Gabrielle Anwar and Sharon Gless. He
plays Sam, an old-school former spy who is now helping a recently
targeted fellow spy survive a series of attempts on his life – all while
helping regular people by fighting off crime in ways that slightly skirt
the law.
The series was recently picked up for a third season by the
USA Network. As Burn Notice was getting ready to return for the
second half of the sophomore season, Campbell was nice enough to hold a
conference call with us, as well as several other websites, to discuss
his experiences on the show.
How much creative input do you have with your
character for the show?
Well, every situation is different and Burn Notice
is very structured. Matt Nix, it’s his show. It’s his concept. It’s
his idea. So when I came on board, I’m going to give smaller stuff.
You know, I might ad lib some stupid joke at the end of a scene or
whatever. Or I might suggest a tone or maybe treat Michael’s mother
more gently at some point. It’s really for me mostly smaller stuff; the
captain of the ship is Matt Nix and he’s also allowing us to think
through scenes and if we want to throw in a line or so, he doesn’t have
a problem with that. But I never show up on a set going, “Man, I got to
ad lib today.”
We
talk to a lot of people on a lot of shows, but it’s rare that you get to
talk to ones who you really, really love the show.
Well you have great taste, obviously. But look, it is fun
to be a part of a project that has been accepted. As an actor, we tend
to work pretty hard on TV shows. They’re non-stop for a long time and
you never know. You’re acting in a void; you never know what the
reaction is going to be. It’s just nice to come across a show like
Burn Notice that has caught on and it’s grown every year. Hopefully
this new batch of episodes coming in January is going to be something
they’re looking for.
Did you see the success of the show coming up?
Are you at all surprised about how successful it has been?
I’m surprised by everything these days because you never
know. My basis for accepting this script when it came across my desk
was I loved the fact of what it wasn’t. It wasn’t a cop show. It
wasn’t a doctor show. It wasn’t a lawyer show. There’s plenty of stuff
that goes on, but this is basically the human side of spies and I went,
right, I can get into that. I really enjoyed the fact that it’s a good
blend of a show that does have strong main characters, and not a lot of
them. It’s got four main characters. That’s what the emphasis is. And
oh yes, stuff blows up and every week there is a caper where you defeat
the jerk of the week. But I think it’s mostly you watch these
characters from week to week, and that’s what I enjoy. That’s what
appealed to me and what keeps me interested in the show is it’s not
really about the explosions, it’s about the people who are doing the
explosions.
For someone who hasn’t seen any episodes so far,
what would you say to somebody coming in totally virgin to the show?
I think if you come into the show late, you’re going to be
okay because they always do enough recaps to kind of fill you in. And
the lead character, Michael Westen, has very heavy voiceover. He’s kind
of guiding you through the show, so I think you’re going to be fine.
He’s going to give you any kind of recap that you need to jump in. And
those people that have followed everything, I think they’re going to be
all over it because they’ve been waiting for it for, whatever, four or
five months now.
What
about your role continues to challenge you?
To try and figure out how to sweat less. No, I would say
just to keep Sam interested in the stories and participating on
stories. If the writers do most of the work, which they will then do
that, that they’ll keep the character engaged. If the character’s
engaged, then it’s easy for me to be engaged in the character.
Hopefully whenever Sam was around in his portion that he’s involved in
something [he] has an opinion about something or whatever. No actor
likes to just sit around. As long as it’s the same as the first two
seasons, I’m good to go.
Do you have a most memorable moment you’ve had
from filming the seasons?
For me, I’m just convinced one day that some bystander’s
going to shoot me with a gun. The reason why I say that is because my
character Sam has a rifle with a scope and often he’s up on high rises
and overpasses taking potshots at people. Sometimes you can’t see the
crew connected to me, because they put me far away. Miami has a lot of
guns, and so I’m just afraid some do-gooder’s going to see me up there
firing away and they’re going to save Miami from that criminal. And
then Burn Notice will have three main characters.
One of the aspects I love most with your
character in the previous season was your relationship with Veronica. I
was wondering if we’re going to see any more relationship drama from Sam
with any ladies in the future.
They do, I think that there are efforts. But, you know,
Sam’s a tough case because he’s a bit of a handful and they’re always
doing capers, so it’s tough to have any kind of romance. But there is
another brush with romance in some of these upcoming episodes. Which is
fun, because I actually think if Sam is not so much button-down that we
can see perhaps his exploits, if you will.
Are there any upcoming guest stars that we can
look forward to seeing?
Oh, yes. In these upcoming episodes it’s pretty full on.
You’ve got Patricia Helfer back as Carla. She’s going to be causing
lots and lots of trouble. Michael Shanks is back as another one of
these fellow cohort guys who you’re not sure if you can trust or not.
The great John Mahoney, who I worked with in the Hudsucker Proxy,
John Mahoney from Cheers, he’s back as someone I can’t tell you
about because I’d have to kill you. Former Dallas Cowboys Michael Irvin
is joining us. He’s Mr. Football, so it was kind of fun to do a
football theme episode. Dina Meyer shows up as, well, let’s just say
someone who perhaps was close to Michael Westen. And of course with
Fiona that’s going to cause some sparks. There will be some sparks
flying in these next seven episodes, I can guarantee you.
We
were introduced to a little bit of Sam’s backstory this past summer of
season two where it was revealed the character was married in the ‘70s
and that actually ended your relationship at the time. Are we going to
get any more information about this woman that Sam was married to or any
more backstory into Sam’s life?
I’m sure some back story’s going to come squeaking out in
some way. I kind of was amused myself finding out that Sam had a wife
in the past. I think it is fun. That’s the beauty of these characters
that have a history that things are going to come up that are
complicated in their life. The first season Sam had some kind of
questionable relationships from the past that have come back to haunt
him, so I think that’s always going to happen. When you have three
spies, former spies that are kind of damaged goods, there’s going to be
enemies that come back, old friends and people that you may or may not
want to see again.
Do you feel like Burn Notice is sort of
bringing back the escapist action series? There are other shows on the
air now like on TNT they have Leverage. While most people
compare it to something like Oceans Eleven, I feel it has a lot
of Burn Notice influence to it because it involves people sort of
helping out the little guy and fighting back…
I’m glad you said that. Look, I’ll tell you, I think the
reason why this show, aside from the magnetic Mr. Donovan and the
wonderful Ms. Gabrielle Anwar and Sharon Gless, is the fact that it is
iconic. And I don’t mean that to make the show any better than what it
is. It has iconic aspects. Little Billy’s always going to get his
medicine, for the most part. And it’s a show that lacks cynicism in a
way. That there’s a sweet core to it of just human beings and I think
anybody can connect to that. Not everyone can connect to the Bourne
Identity type of spy, but I think people can identify with this
Michael Westen because he’s fixing his mom’s garbage disposal when he’s
not doing some covert thing, so that’s what appeals to me. And I like
the fact that everyone in this show is an adult. It reminds me of
shows when I was a kid. I watched Rockford Files and James
Garner was an adult; he wasn’t some kid actor. And so I like the fact
that this show is just geared for anyone who wants to see this type of
story. It’s not geared for kids or whatever, it’s just a show that I
would watch when I was in high school, too. So, I don’t know, I think
that’s what appeals to me.
There’s
been a lot of cool spy tricks and set ups they’ve done on Burn
Notice. I was wondering, what’s been your favorite thus far?
Oh man, mostly it’s just the bravado. I love the fact that
in Burn Notice we not only… see, like here’s the difference in
Burn Notice and it’s just more of a thematic thing is that if the
police catch someone who’s done identity theft, they might catch the
guy. They might, not necessarily, but they’re not going to get your
money back. In Burn Notice we’re not only going to catch the
guy, we’re going to get every penny of your money back and maybe a
little more. And if the guy’s careful, he might die. So our characters
don’t crap around. Fiona is basically crazy. She’ll blow up anything
for any reason. So these are not three characters that you need to mess
with. What I like is whenever they’re confronted with something,
they’ll come back at it in such a way that is very bold, usually, and
that’s what I like.
I think the show is potentially appealing to people because
it does give you a sense of justice. For the most part, we are going to
catch these guys and we’re going to punish them, and we might torment
them at the same time. So as far as any one particular schtick, I
don’t really have a favorite. My favorite thing is, you know, there’s
an episode coming up where some kid gets in trouble with a gang banger
who is a car thief. So instead of just telling the guy to knock it off,
the Burn Notice guys what they’ll do is they’ll pretend that
they’re a bigger band of car thieves in town to just run the guy out of
town. They think bigger than just knee capping a guy in the parking
lot. So it’s kind of fun.
I just like the inventiveness. Because they’re spies
they’re used to being in tricky situations, they’re up against this and
that. And I also like they’ve got a little old school/new school.
Michael Westen’s more new school; he fights differently, he thinks
differently, he’s a little more outside the box. Sam is more like,
well, let’s just hurt somebody or plant a bug. Good ole fashioned
espionage. Fiona is a little bit of a loose cannon, so that makes it
okay, too, because we can’t always control her.
This
dry humor is kind of a big part of what keeps me tuning in, so how
important is it to keep that humor in the show to kind of break up some
of the tension that can be present.
I think it’s imperative. I think Matt Nix has always
started with that dry humor right from the beginning. The voiceover
that Michael Westen has is very dry. It’s very urbane sometimes. It’s
very erotic, it’s very wry, it’s very witty, so I’m right there with
you; I think it’s imperative. Otherwise, we’ve all seen movies where
spies take their jobs so seriously. But if you really think of it, at
the end of the day spies are just people; they’re just schmoes. They
have the same issues as everybody else, but you wouldn’t think of it.
You wouldn’t think that a former CIA spy would be having personal
problems that would interfere with his work or whatever. You just think
of them as being robots, but they’re not.
Do you kind of feel that that’s what helped
viewers relate to these characters?
There’s no question about it. If we were doing nothing but
spy-speak all the time, I think you’d get some guys to watch and go,
“Yeah, okay, cool. They’re talking that cool spy stuff.” But I think
at the end of the day I want the soccer mom to be able to watch this
show and go, “Oh, cool, they’re trying to patch up their relationship
with something. Or Michael’s working on some old problem in the past
that is now coming back to haunt him.” I think that’s what’s getting a
wider range of viewers. It really isn’t just squinty-eyed spies
shooting the gun sideways looking cool. That they are flawed, all of
these characters are flawed, and they’re all kind of doing the best they
can. They’re tap dancing as fast as they can.
A question about your character and also
Michael’s. What are the fatal flaws that you all perceive within the
character and how do you work those in, because you guys are naturally
funny, you’re naturally accomplishing the jobs and getting it all done,
yet Sam definitely has his own quirky side that sometimes interferes but
also makes it move forward, but there is a fatal flaw in every
character.
Sure. They are damaged goods. These are people who have
had histories and pasts and sometimes they didn’t go well and something
went weird enough for Michael Westen to get burned. You know, the
Michael Westen character, Jeffrey can speak more toward that, but he
comes from a weird, messed up family. He’s got family issues. He’s got
issues with his brother, he’s got issues with his mother and issues with
his ex. So everybody has issues. And he and Sam get along pretty well
now, but in the first season he wasn’t even sure if he could trust Sam
because Sam, in order to save his own skin was willing to chat
occasionally with the Feds and give them some information to keep his
butt out of the fire. And Sam’s flaw, obviously, he’s a party boy, so
it’s going to distract him a little bit; it’s going to slow him down.
He’s going to be probably putting his nose in some of the wrong places
sometimes. But yet he’s coming around as a pretty loyal character.
And Fiona, I’m not sure what her excuse is, but she’s just
mostly nuts. And I think that’s good. I like it when, like there’s a
couple of upcoming episodes where she gets really angry because of
what’s going on with either kids or something like that. When she steps
in, it’s kind of fun to watch. She’s good at getting angry and wanting
to hurt someone.
Because
Sam’s character has evolved and become much more loyal, how is this
going to play out in terms of what happens with Carla?
Well Sam never liked Carla.
Right. But I mean in terms of how much is Sam
going to go the difference in terms of just let’s get rid of Carla,
let’s find…
Oh, Sam’s going all the way; he’s in. Carla’s going down.
I mean, they’ve got to do something about that woman.
It’s going to be an exciting season.
It’s coming head-to-head. After the end of this seven
episode run some things are going to change in Washington. There’s
going to be some fascinating changes coming. That’s all I can tell
you. Otherwise, Matt Nix would send Michael Westen to kill me if I told
you more. But yes, some stuff is going to go down.
You kind of hinted at this a little bit, so one
of the things the show does is have like the long story arc with the
sniper going on and all that in addition to like an episode having a
different second plot line. Is that going to be the staple for the
remainder of this season as well?
There’s always going to be two things going on. One is the
problem at hand, which is somebody needs help and it’s worthy enough for
him to help someone in the middle of what his overlying problem is, is
who is causing all these problems for this guy. And so that’s, the one
is the constant, but the other one, the overall problem that he has is
going to, that’s going to be ratcheted up consistently throughout the
seven episodes to its final explosion point, where it’s a point of no
return.
And I would certainly say that with as much as
he drinks, he would not look as good as you do in real life, that’s for
sure.
Well, you can’t be a total method actor.
Congratulations
on the third season renewal.
Thank you very much. We’re excited, too, because it’s a
show that we all want to be a part of. We’re not grumbling back to
work. I’m really excited to read the first script.
Between this role and also a lot of roles you’ve
done in the past, and your new movie My Name is Bruce, you have a
good time toying with the image of a hero. You enjoy playing characters
that are flawed and self-obsessed, yet they’re eventually able to put it
together to save the day. Why do you find that kind of an interesting
character to play?
Because me personally as an actor can relate to that more
so that I can, it’s just easier for me to do. I’m not good at playing
someone who doesn’t have weird quirks, because I’ve never met someone
who didn’t. So that’s why I tend to avoid a little bit of the
traditional hero thing, and that’s what appealed to me about this show.
This show is very untraditional, yet, having said that, there are
traditional story elements that things are going to be made right by
these people. So I don’t know, those types of characters have always
appealed to me, hoping that they will appeal to the average garage
mechanic who’s watching the show. As an actor, I want my work to be as
appealing to as many people as possible.
Also, like you said, for traditional characters
you were talking about Fiona, there are a lot of really tough women in
this show, like Tricia’s character and even Sharon’s.
Yes, these are mostly, they’re ball busters, these women,
and I think that’s fun. Why not have strong characters, because
honestly, that’s how you get good actresses to come work on the show.
We’ve had Lucy Lawless and that was really fun, and I knew that we could
get her because they could come up with a good character for her. So
I’m glad that worked out. Yeah, it’s fun. If you have strong male
characters, you better have strong female characters.
Absolutely. One other thing that is sort of I’d
feel is almost a character in the show is Miami itself. It’s so
beautiful. How do you feel that filming in this city really helps the
vibe of the show?
It matters, it really does. People can tell. We’re on
beaches and we’re in swamps and at the edge of the everglades and
running around in funky alleys and buildings, you don’t have to fake
your angles. The main difference is that by shooting there, you know,
Florida is a flat state, you don’t see mountains anywhere. With CSI
Miami, they’ve got to be careful because if they tilt up about 10
degrees, they’re going to be looking at the Santa Monica Mountains
there. So you don’t have to fake anything. You’ve got boats left and
right, anything you need saying it’s Miami, it’s there. And we’re
really the main show that has stayed. Dexter left, CSI: Miami
left and we’re it. So we actually get great cooperation. We get
into as many cool places as you’d ever want to get into just because
people are excited to have us there. So we’re really capitalizing on
it. USA has kind of given us the edict of 60% of the show has to be
outdoors. Because if they’re shooting in Miami, they want to see it.
I wanted to go off something that was said
earlier. You had mentioned the Bourne Identity and about the way
you kind of like the human side of the show, the human side of spies.
Since 9/11 and Bourne Identity, I think the whole spy genre has
changed quite a bit and so it was just continuing with that, altering
those old archetypes. Where do you guys think you see yourselves
fitting into that whole thing with just the humanization and maybe just
the little bit of ambiguity and the whole political side of the spy
world or whatever?
We’re being very apolitical in this. We don’t really take
any of those sorts of sides. I just like the fact that we’re not
cynical. There are a lot of spy shows that can be cynical because spies
themselves can be cynical because they enlisted for an altruistic reason
and sometimes, like with Michael Westen, he would be perfectly justified
to be cynical because he got burned after doing what, he doesn’t even
know. He was a good spy. So I like the fact that even with that humor
has won out over cynicism and so hopefully our show will be placed in
that mode that it’s not really a serious kind of Bruckheimer kind of
movie.
One thing I know, at least for myself, part of
the reason why I was drawn to the show just seeing your name on the
bill. Like this was going to have that humor, this is going to have
that fun that really is lacking sort of thing. If I could change
directions a little bit, I just have to ask who fights dirtier, spies or
zombies?
Zombies because they’re not as smart as spies. Spies don’t
have to fight dirty, they just fight hard.
You’ve been on a lot of shows that have only
lasted one season. How does it feel to be back on a show that has not
only been picked up for a third season but is a hit?
Ask yourself the same question: How would you feel? You
feel good. I just learned that people like me in small doses. So
whenever I’m not the star, like with Hercules & Zena, the shows run for
six years, so I’m good. This show will be on the air forever because
I’m not the star of it, so it worked out fine. It feels good to be part
of a hit show, though, too. Honestly. The crew, any of them I think
are very grateful to know these are people who work harder than any
actor. They’re busting themselves 14, 16 hours a day and it’s nice to
know that it’s a hit show. Because sometimes you do that and the show’s
a dog and it gets cancelled.
I was actually able to attend your premiere of
My Name is Bruce in Austin. It was wonderful. Are you planning on
directing anything else soon?
I can answer that question after February 10th when the DVD
comes out. Then I’ll know if anybody’s watching what I do. As you
know, it’s economically driven. I would like to and I’m hoping to do
another movie in the fall of this year.
The thing I’m wondering is when they build up
the backstory between your character and Michael, it seems almost like
Michael is learning from you, and now he’s the boss and you’re the
sidekick. How does Sam relate to that?
Sam was always a sidekick, though.
Well on the show, but in the backstory he was
the heavy hitter.
Well, I think it’s just different, though. I think Michael
Westen’s probably a better spy than Sam ever was, only because he’s more
disciplined. He doesn’t get drunk every five minutes. Plus, they’re
just different; old school/new school. I think Sam, his fighting style
is different, a little more John Wayne and Michael’s is a little more
Bourne Identity. But if you’re asking what it’s like being a
sidekick, I love it.
Cool. As a director yourself, what do you think
of the style of the show?
I think it’s very cool without being overdone. We’ve all
seen movies and TV shows where you go, “Geez, give it a rest”
stylistically because it’s either too handheld or it gives you a
headache or it’s over-editing. I think Burn Notice is very
stylish without being obnoxious. I like the voiceover. I think it’s a
very unique style. I like the freeze frames where the title comes in
Joe Blow, Client. And then another one comes in, Joe Blow, Loser, or
whatever. It’s just kind of a fun, makes it a little cool and jazzy and
freewheeling. And they also mess with the colors, too. The show’s very
colorful. If you look at the ocean in any of the shots, it’s bright
green or blue. The clouds are amazing, too.
What are the chances of Michael and Fiona
becoming an official, committed couple by the end of this season?
If I was Matt Nix I could answer that. Who knows? These
are two volatile people, so the chances are probably not great. That’s
the best I could guess.
One of the strengths of the show seems to be the
fact that we’ve got four really great, simple characters. Talk about
the relationship you have with each one of your costars. What it’s like
to work with each one of them.
Character-wise or person to person?
Both.
Okay. Well, basically, Sam and Michael, they did work
together in the past. They didn’t really have too many issues in the
past with each other. Sam is a different personality. At first he
wasn’t sure if he could be trusted. Now I think it’s pretty clear Sam
is in it for the long haul. Otherwise, what would he be doing? He would
be on some beach drunk somewhere, so this gives him something to do.
And so their relationship has definitely solidified because they hadn’t
seen each other in a while and all the crap they went through in the
past was the past, but now they’re going through a bunch of new crap and
it makes them even tighter, I think.
Sam and Fiona were probably never close; different styles.
He thinks she’s too impulsive and too over the top, over kill. She
never thinks that these guys are doing enough. Sam, I think, was less
tolerant, you know, when they first met they almost got in a fist fight
because they hated each other from the past. And, oh, I’ve got finish
my Donovan part of it, though.
But person to person, Bruce and Jeffrey, I feel that our
personal relationship is kind of the same as Sam and Mike; it’s his show
and I respect him a lot as an actor and my job is to support. I’m the
supporting actor. So, we currently, I call him Mr. Donovan and we get
along great.
So getting back to Sam and Fiona, now Sam and Fiona are, I
think, more, they know that neither of them is going anywhere, so
they’ve got to deal with each other. So you can have your banter and
then occasionally Sam will ask her about girl stuff or whatever. So you
do have that ability to not only deal with case stuff with Fiona,
arguing about tactics, but Sam can also have a softer element with her
by talking about dames, about women.
Then basically with Michael’s mother, Madeline, who now Sam
I think calls Maddy, I think it’s always been respectful. Didn’t know
her all that well and now they’ve actually spent more time. And you’ll
see in some of these upcoming episodes, Sam and Madeline spend more time
together for a bunch of different reasons and they get to know each
other more, and you see more of the dynamics. They’re much more
comfortable with each other now as a pair.
So as far as Bruce and Sharon Gless, look, I respect her as
a television icon. I mean, what’s not to love about her? And as a
person she’s really kind of shy and cute and kooky, and it’s a great
thing. And she lives down there in Miami and she just has a ball. So
it’s been fun to work with someone who is so iconic, you see how nothing
is as forced; they’re very comfortable in their skin because they’ve
been around for so long. So I have to say the dynamics I feel are fine
on the show. We don’t have anything that’s interfering with doing our
job.
How much do you see of yourself in Sam and how
much do you see of the others in the characters they portray?
Well, that’s always a tough call. Actors can’t escape their
own physical being. You’re always going to see Bruce Campbell there
doing whatever. I don’t drink as much as Sam does and I don’t womanize
as much as Sam does because I’ve been married for 17 years to the same
woman. So, it’s always fun to just let loose. Sam is a much more
relaxed character than me. I live in the Pacific Northwest and by the
time I show up in Miami this March, I’m going to be white and pasty and
I’m going to be squinting at the sun because it’s been raining and
snowing here in the Pacific Northwest. So I’ll go back down to Miami,
I’ll strip my work boots off, my jeans off and get back into that
character, get back into that basically removing clothing. You know, I
get my t-shirts off, I get my flannel shirts off and start getting back
in flip flops and shorts. Because I literally live at the complete
opposite end of the country and it’s a huge adjustment every year, but
it kind of cracks me up that people perceive me as this kind of, hey,
beach guy with a beer in his hand and I’m kind of the opposite. I’m
such a woodsy guy. I like mountains and streams and rivers and lakes.
I was just curious, have you ever been
approached or are you ever going to direct any episodes of Burn
Notice yourself?
I’ve never really discussed it officially or had it posed
to me. I’ve directed television in the past, but I think in this case
it’s really… I’m in a fun situation where Jeffrey Donovan and Gabrielle
and everyone, we have a good relationship and I’m kind of a bossy
director and I’m not sure if it’s right for television. So I think I’m
just going to step back. We have a good group of guys that’s come in and
out now of men and women who have directed some really good episodes.
So I think I’m just going to get out of the way and be a good little
actor boy.
What would you like to say to everyone who’s a
fan and supporter of you and Burn Notice?
As always, I bow to anyone who watches or supports what I
do or the show, because that’s what keeps the show on the air. You have
to have that support. So to them I would say we will try and come up to
be equal with your devotion to give you hopefully a good show from
season to season. We’re all looking forward to season three because we
don’t know what to expect. It’s going to be really interesting to see
where it goes this year. So like everybody else, I’m hopefully just as
excited to see what’s going to happen.
Every time we see Sam it seems like he has a
beer in his hand and I was wondering what you are actually drinking.
Well, as an actor you can’t even really go near that these
days. The days of sort of the John Wayne drinking in your trailer days
are kind of over. It’s just good old fashioned water. Because
sometimes if you put real fizzy stuff in there or even like they have
the non-alcoholic beer, which still has a little percentage of alcohol,
but it will just make you burp. It gets you all bloated and burpy. So I
just go for water. What we do is we use always a colored bottle.
You’ll notice it’s either a green bottle or a red bottle, and it kind of
disguises what’s inside. You’ve blown my cover. Sorry.
Carla has been the main archenemy on Burn
Notice this season. I’m expecting her, of course, to return for the
second half. Is there going to be anyone else beyond her, her boss,
perhaps, or another arch villain coming into the picture?
I think I’m allowed to say very likely. Very likely.
Everyone has a boss, so I think the season will prove no different.
Because Michael’s being manipulated by someone who might be manipulated
by someone. You never know. I think the layers are going to get deeper
this season and it will start to get to the point where something’s
gotta give.
What would you say to someone if they came up to
you and said that they were such a big fan of yours that they named
their son Ash?
I’ve already had that. Multiple times, as a matter of
fact. I would say have a long and prosperous life as Ash. Hopefully
he’ll have a life that’s not as bad as being named Sue, you know? But
Ash is a little on the girlie side, so he might have to stand up tall.
I just want to know where you would like to see
the character of Sam go in season three.
I’d like some new shirts. Actually, Tommy Bahama is going
to sponsor season three, so you will see some new shirts. I think like
any show you just want to see your character used. I don’t know if I
have to have a whole, completely different life revealed, but I think
showing people off duty is always good. We see a little bit of that
with Michael and Fiona. We don’t really see what Sam does. I guess
he’d be sitting in a bar somewhere. I never really know. I never know
what to suggest in those cases because the writers have so much going
on. They’ve got a lot they’ve got to deal with. And I think they
struck a pretty good tone of not getting too involved in your personal
life that you’d forget about the caper of the week. So I think, also,
until you deal with some huge, bigger story lines, until those play out,
you don’t have time to see someone go fishing or whatever.
For a followup question regarding season three,
Burn Notice started out with being just that, Michael
was burned. And then we go into now someone’s trying to kill him. How
much further, what else could possibly happen?
It’s going to get bad because it’s not only you that
they’re after, meaning Michael Westen, but they’re after friends and
family. They want them all. And so we’re going to get into kind of a no
mercy situation that I think is going to be very interesting and fun for
people to watch. And it’s really been great; Jeffrey Donovan has some
absolutely wonderful tour de force stuff. He’s just so good for the
show because he’s an animal; he’s a really intense actor and he can hold
up for a whole season, which is a lot of work for him. And it’s good,
these next episodes kind of let them strut his stuff. And incidentally,
the first episode back was written and directed by Matt Nix who created
the show. I think this is his first television foray and I think he did
a great job. It’s a really cool opening show.
With all the shows and channels out there, do
you feel like it’s harder to find a show or is it easier with the
technology and things like TiVo?
Oh, I think it’s easier. Definitely. Between YouTube,
just Internet stuff, it’s easier. Well the trick, though, is to find
out how to tell people that you want to tell, the people that you want,
you’ve got to find out what they’re watching and how they’re watching
it. Are they watching it live, are they streaming it, are they
downloading it, are they doing a DVD the first season? Are they
TiVo’ing it? There’s so many ways now. So I’m glad that people don’t
have to sit down, love to have them Thursdays at 10, but it doesn’t
matter as much as every year goes by, because now they’re factoring in
the TiVo ratings, thank God, because our ratings actually go up. Look,
the average person, I have to say, I think the numbers are way off,
still. I think 30% of America is not watching live TV, maybe more, and
every year it’s going to change. So I just hope that we all as a show
and as a network that we stay on top of it and figure out how to find
these people who are watching it in different ways.
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